Archive for the Design Category

Anniversary exhibition at CAM Raleigh through August 7

Posted in 21st century life, Aesthetic Experience, Art, Craft: not country-cute, but Craft, Design, Event, Friends, Horse & Buggy Press project, Literature, Music, Politics/Philosophy, Publishing, Type High: Letterpress, Typography on July 23, 2016 by horseandbuggypress

 

20YearGraphic

It’s been a busy past few months, most notably with having a fantastic first stop to the traveling exhibition “20 Years of Horse & Buggy Press (and friends!), which debuted high above the banks of New Hope Creek at Cassilhaus during May. Cassilhaus, an amazingly beautiful home, gallery, and artist residency program designed and run by Frank Konhaus and architect Ellen Cassilly is one of the true gems of our area. They put on an amazingly rich and diverse set of exhibits and events at their place. I highly suggest getting on their mailing list.

The H&B anniversary exhibit is now up and running at CAM Raleigh (there are over 200 pieces in the show including all eighteen fine press books I’ve produced, some of which have the last few copies for sale) and there’s a series of talks (all free) with a bunch of the collaborators in the coming weeks.

Copious details on the exhibit and the events at our most recent two newsletters. (if you would like to be on the mailing list, just holler to me at dave@horseandbuggypress.com.  I send out 4–6 newsletters in a year.

July newsletter

May newsletter

Later this summer and continuing through the fall you will see a veritable explosion of blogposts profiling the bevy of book projects I’ve produced in the last few years and a few of the larger commissioned projects. I’m very excited about Journey, a 112 page book of photomontage by Catharine Carter which I just finished printing the covers for yesterday. The first 10 or 20 copies of the edition should be on hand at the Sunday, July 31 event at CAM Raleigh (see newsletters above more info). There will also be a giclee/lettepress broadside edition produced.

Journeycover

Roses: The Late French Poetry of Rainer Maria Rilke

Posted in 21st century life, Art, Design, Horse & Buggy Press project, Literature, Publishing, Type High: Letterpress, Typography on November 27, 2013 by horseandbuggypress

The fifteenth title to be published under the Horse & Buggy Press imprint.

Roses: The Late French Poetry of Rainer Maria Rilke

Translations, Introduction,  & Essay by David Need
Drawings by Clare Johnson

Roses is a 224 page interdisciplinary investigation into Rilke’s late work, written in French instead of his native German, and produced with the utmost attention to detail and quality in materials.

Poet and poetry scholar David Need has been working on these translations for many years. The book presents the original French poems alongside David’s translations to English, and each of the 27 poems in the Roses series is accompanied by a pen and ink drawing by Clare Johnson. An essay by David, a series of appendix poems, and elaborate endnotes offer additional perspectives into Rilke’s work.

The books are offset printed in two colors using high-end heavyweight paper with a tactile eggshell finish, and the covers are partially hand-printed on the letterpress with wraparound foredge flaps. Each book includes a custom printed bookmark and is numbered and hand-signed by the author.

Roses sells for only $30, despite all the high-end production touches.

UPDATE. April 2016. There are less than ten signed and numbered copies remaining from the first printing. These now sell for $60 (the second printing sells for the original $30 price, the second printing does not have hand-printed covers but does utilize the same  -high-end paper and binding)..

For more information or to order a copy, please see the Announcement & Order Form

some spreads below . . .

Cover

2-title spread

3-Intro spread

4-poem spread

5-Drawing spread

5-Essay spread

7-appendix poems spread

8-notes spread

TESTIFY: A Visual Love Letter to Appalachia

Posted in 21st century life, Aesthetic Experience, Art, Craft: not country-cute, but Craft, Design, Horse & Buggy Press project, Publishing, Type High: Letterpress on November 27, 2013 by horseandbuggypress

The thirteenth fine press title to be published under the Horse & Buggy Press imprint has been completed and as of the first week of May 2014, books began out into the world.

TESTIFY: A Visual Love Letter to Appalachia
Photographs by Roger May   |   Foreword by Silas House

Testify: A Visual Love Letter to Applachia  is a  two volume, limited edition  featuring fifty images (black and white, as well as full color), an introduction by photographer Roger May, and a foreword by Silas House. Interior pages are printed on a high-end Indigo press using 100lb Mohawk Superfine eggshell finish text paper.

The covers are hand-printed on the letterpress, and each book is hand-sewn with linen thread. The limited edition of 300 copies is signed and numbered by Roger. The two volumes are presented together with a full-bleed printed bellyband, and include a bookmark and a photographic print (suitable for framing) housed in a translucent envelope.

Excerpt from Roger’s introduction . . .

Testify is a visual love letter to Appalachia, the land of my blood. This is my testimony of how I came to see the importance of home and my connection to place. After moving away as a teenager, I’ve struggled to return, to latch on to something from my memory. These images are a vignette into my working through the problem of the construction of memory versus reality. My work embraces the raw beauty of the mountains while keeping at arms length the stereotypical images that have tried to define Appalachia for decades.

To order the book . . .

Update: April 2016. The edition has nearly sold out.
Original price was $65. There are less than ten copies remaining and they are now selling for $125. If you know a publisher who would be introduced to produce a second printing or to work with Roger for an expanded/updated edition, please let me (or Roger) know.

Roger May (b. 1975) is an Appalachian American photographer currently living in Raleigh, North Carolina. He was born in the Tug River Valley, located on the West Virginia and Kentucky state line, in the heart of Hatfield and McCoy country. He served in the U.S. Army for seven years. He is currently enrolled in the Certificate in Documentary Arts program at the Center for Documentary Studies at Duke University, where he has also worked as a part-time instructor.

A few spreads from the books appear below . . .

Coal cars spread

Foreword spread

Dramatic blue sky spread

clogging spread

Noisy truck spread

Highway spread

sign overturned truck spread

Poster for Ninth Street Derby

Posted in 21st century life, Bikes/Cycling, Design, Durham, Event, Horse & Buggy Press project, Sports with tags , on September 9, 2013 by horseandbuggypress

**this post is part of a series as we catch up on sharing work from the last couple of years. The website update should take place over the winter.
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As a cyclist myself, I was excited to design the poster for the bicycle criterium held on Ninth Street this past spring.

The event was organized by former Duke cycling coach Rusty Miller (he’s since moved down to Greenville, South Carolina).
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Derby poster
This was a quick turnaround keep the costs down project that we were all very happy with, especially the high quality photograph reproductions that Zebra Printing of Morrisville was able to achieve on their digital printer.

**all photos in the poster were taken By Ben Knowles at the 2012 race.

Logo, business cards and more for future restaurant

Posted in Design, Durham, Horse & Buggy Press project on September 5, 2013 by horseandbuggypress

**this post is part of a series as we catch up on sharing work from the last couple of years. The website update should take place over the winter.

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Downtown Durham continues to be graced with more good restaurants opening up.

Over the past few months, I’ve enjoyed working with Justin Rakes, former chef at Four Square, who along with Scott Martin, will be opening up “The Salted Pig” in the near future somewhere in or near downtown. The menu will focus on higher-end pork based food items, locally sourced along with the produce, and feature a wide array of bourbons.

As they have been working on securing a location, I’ve been working with Justin on logo design, business cards, and event menus.

The current business card…

Salt Pig bus card-white

Hopefully it won’t be too long before The Salted Pig is up and running. It has been a while since I created the initial menu designs for Watts Grocery and Beyu Caffe, so I’m excited to work on another menu design project. Quite likely the interior of the restaurant will feature a lot of reclaimed wood for the furniture and on the walls. Thus, I don’t think the chipboard colored paper stock they initially were thinking of will work so well (warm tan paper on warm wood isn’t all that exciting), so one idea is to have soft pink paper menus for some contrast between menu and wood table. So, half of the initial run of business cards were printed with a soft pink background as we gauge whether this is an interesting idea or not.

Salted Pig bus card pink

Not sure if this will get used anywhere, but the following idea was playing on the ring mark left behind of a bourbon glass…

Bourbon glass ring mark

The following is one of the many ideas played around with in the logo design development. Whether the connotation of a patch is a good thing or not, I’m not sure, but I’m thinking this could make a nice coaster…

Patch style coaster

Justin and Scott have been putting on some special event dinners. This is a menu from an event at The King’s Daughters Inn…

menu

Maji Moto: Dispatches from a Drought. A 2012 Horse & Buggy Press Production….

Posted in 21st century life, Aesthetic Experience, Art, Craft: not country-cute, but Craft, Design, Durham, Event, Horse & Buggy Press project, Literature, Publishing, Type High: Letterpress on June 4, 2012 by horseandbuggypress

Maji Moto: Dispatches from a Drought

U P D A T E

There are only 30 plus copies remaining as of May 2016 and less than ten copies of the deluxe edition.

Maji Moto: Dispatches from a Drought: Photographs and Lyrical Essays by Courtney Fitzpatrick was the fourteenth title published under the Horse & Buggy Press imprint. This fine press book and broadside collaboration was the centerpiece of a multi-media exhibit in our Upfront Gallery in 2012. This exhibit included books displayed on custom cherry wall-mounted bookstands, framed photographs, limited edition giclee/letterpress broadsides, and a large-scale environmental text installation in the storefront window.

Maji Moto: Dispatches from a Drought
Photographs and Lyrical Essays by Courtney Fitzpatrick
A Horse & Buggy Press Book

Courtney spent 17 months in the remote Amboseli basin of Kenya during 2009 and 2010. As Amboseli descended into, suffered from, and eventually emerged from the worst drought in living memory, her evocative writing and photographs became a personal record of a fragile ecosystem. The acts of writing and making photographs for Courtney— while in a region and a situation few people will ever experience—were both a process of discovery and a means for reflection.

from one of Courtney’s essays…

The sky keeps filling with clouds. A goose down comforter shields this piece of Earth from its sun and one fish-belly cloud hangs low and swollen.

We shiver.

How can these clouds not bring rain?

This drought is the worst that anyone can remember. It has draped the landscape in zebra pelts, laying them out like the watches of Salvador Dali. Stripes melt. Faces seep into the ground, baring a toothy grimace….

I collaborated with Courtney for over a year, shaping this content into a fine press book as well as limited edition broadsides created through an integration of giclee printing (color photograph) and letterpress printing (three colors of text content). The book and broadsides are exhibited alongside framed photographic prints from Maji Moto—a body of work that bears witness to the transformation of both a physical and psychological landscape. The stirring narrative, carried forth equally by words and images, is presented first and foremost through the engaging intimacy of a hand-bound book, a tactile artifact with enduring emotional resonance.

The large-format, 88 page limited edition book is a unique balance of images (over 40 in full color) and lyrical essays (10) that manages to be both a “document” of a rather unique place and time in a remote part of the world as well as a highly personal and poetic account. The book also includes an introduction by Courtney along with forewords by noted field biologists Harry Greene and Donna Haraway.

An excerpt from Harry Greene’s foreword…

“Those of us concerned with the fate of biodiversity are saddled with terrible dilemmas: As humans willy-nilly shape the future, we are bereft of consensus over just what to save and where to save it, let alone how to do so. In the face of shrinking habitats and climate change, with our population burgeoning and the extinction of many species inevitable, what are defensible benchmarks for conservation? And more philosophically, how can we yearn for untrammeled places yet bemoan our separation from nature? Not only are words like wilderness subject to debate, it’s as if within the last few million years, by gaining the capacity to contemplate our fate, we’ve pulled away from the natural world for which many of us profess such longing. Rather than providing direct answers to these tough questions, Maji Moto asks us to think longer and harder, inspired by the luminous prose and remarkable photographs of Courtney Fitzpatrick, a young woman who went to Kenya to study baboons . . .”

From Donna Haraway’s preface…

“Maji Moto draws wonder and terror in thimbleful after thimbleful from the hot springs at the Amboseli Baboon Research Project in Kenya’s Amboseli National Park. The life-saving rains did not come the year Fitzpatrick came to mix her sweat, laughter, and tears with the breath of baboons, people, antelope, elephants, and many more. The laden clouds tantalized and withheld, day after day. The pictures show it; the lyrical words etch it into the flesh. The earth is warming; the suspects in this terran crime are flying overhead in thin metal jet shells that split the clouds, but they bring no rain.”

Select elements of the book, including the covers, were hand-printed on a Vandercook letterpress and heavyweight paper is used throughout the book including flyleaf endsheets. Each of the numbered 175 limited edition copies is signed by Courtney and includes a hand-printed bookmark, as well as a frameable, photographic print tucked into a translucent envelope inside the back cover. Below are a few spreads.

Four images from the book were used to create four different broadsides in limited editions ranging from 20 to 30 (depending on the image). Each broadside is 16 x 22 inches with one image and a text excerpt from the book.

Below is a glimpse at all four of the broadside designs.


I was especially happy with how dimensional and life-like the image reproductions came out through the archival giclee printing process, even while printing on toothy watercolor like paper—which then of course beautifully shows off the tactile, letterpress impression of the text excerpt…

Maji moto, and we are in hot water indeed. Glaciers are melting, the wells are running dry, and still there is the private weight and weather of our own days. Where is the aquifer that hydrates your solar plexus? I will pluck out the straws and cork the leaks. Let me lash hinged thimbles to your fingertips. Ten tiny buckets will swing like iron when you walk, heavy with the catch of your rain.

Anna Lena Phillips wrote a great article about the project in American Scientist magazine.

Chris Vitiello reviewed the book/project in the May 30, 2012 edition of The Independent Weekly.

There is a curated excerpt of work up on The Paris Review website.  If you aren’t in the Durham area, this is a good way to get a deeper glimpse into the content of the project. However, if you are in the Durham, North Carolina area I highly recommend you don’t take a peek, so that when you view the physical book for the first time it will be with “fresh” eyes.

ARTIST BIO
An artist whose primary medium is science, Courtney completed her undergraduate degree in studio art at UNC-Chapel Hill and taught photography at New York’s Hetrick-Martin Institute before returning to her early interest in evolutionary biology. As a graduate student in biology, she received a Fulbright Fellowship to study sexual selection and primate reproductive biology in the wild. The scientific results of her collaboration with the Amboseli Baboon Research Project resulted in a Ph.D. from Duke University. Courtney lives in Durham and is originally from both Oregon and North Carolina.

TO ORDER
The signed and numbered, limited edition book is for sale at $140. Broadsides are $120. As with all H&B products, there is a one week, money back guarantee. If you change your mind after receiving the goods, they can be returned for a full refund within one week.

The order form is linked below, but feel free to just call or email your order in as well. I’ll mail the goods to you with an invoice payable upon receipt. It’s that simple.
Maji Moto order form

Maji Moto announcement

FOYER GALLERY HOURS — While the Maji Moto exhibit has been broken down, the book is still on display. Visitors are welcome to sit and have a quiet moment with the book. Hours are Fridays 11 – 2, Saturdays 9 – Noon, and by appt. We also have an open studios event on the Friday of each month from 6 – 9 pm as part of Third Friday Durham.

H&B FINE PRESS LIBRARY — In an attempt to make the book—and spending slow reading time with Courtney’s work—as accessible as possible, I’ve decided to make copies of Maji Moto available on a one week loaner basis for those who wish to read it, but are unable to purchase this limited edition, fine press book. Contact me via email for details.

Thanks to Tim Schrand for making wall-mounted cherry bookshelves for displaying the books, to Craven Allen House of Frames for framing the broadsides and the photographs, and to Mitch Fisher of Fisher Signs and Graphics for installing the environmental text installation.

Full Frame Documentary Film Festival

Posted in Aesthetic Experience, Design, Durham, Event, Horse & Buggy Press project on April 11, 2012 by horseandbuggypress

My favorite indoor activity of the springtime is here . . .

Full Frame Documentary Film Festival

This is the fifteenth year of the festival, and the fourth year in a row that I designed both the 128 page program guide and the broadsheet posters. It’s a great way to figure out which films I might see during the festival.

Below are a few glimpses at some of the printed pieces.

Please know that when there are extra program guides left over at the festival—and so far there always have been—I get a bunch of copies and will give them away during open houses here at the studio. They have interesting essays and interviews and are useful for working on your netflix queue.